"Nestled Houses," 28" x 38", is a semi-abstract landscape where the montage of shapes relate to the flat picture plane and create a sense of space. Transparent paint mixtures comprise broad areas while denser luminous brushstrokes of paint help bring the viewer to the hollow creating a cozy atmosphere. Strong sweeping diagonals moving through the solidly horizontal houses with the strong vertical tree on the left conspire to give the viewer a vibrant sense of safety. The reflective sky mirrors the way water might fusing elements but reading as sky.
Growing up in an immigrant home in NY's Washington Heights and later the Bronx in the 50's and 60's exposed me to a kind of immediacy and sense of purpose in life. I lived in a household with parents, aunts and uncles who all survived concentration camps in Poland. Having the legacy of the Holocaust with me at all times makes me feel a certain exigency to paint and an urgency not only to feel alive but to cherish that life. It also gives me an awareness of death and impermanence in life. That has been both a burden and a gift. When I work I feel death standing on my shoulder, and I think that enables me to go further. When I'm standing there and needing to push myself, saying, "I can't just stop here, because that's not the whole story, I need to tell the whole story. There is no other time to say it but now…" You know, that's with me, the need to tell the truth, the whole – the good and the bad, to not be in denial about anything. All those elements are with me when I paint.
While my painting is motivated by my perception of the world I am not interested in a literal interpretation of that world— I prefer the metaphor to the simile –My work represents neither a purely abstract nor a super realistic vision. It walks the border of the abstract and concrete---it is the tension between these two realities that fascinates me. And each subject demands a different response. I aim for an imaginative realism where sensuality, intuition, spirit and mind coalesce.
Charles Baudelaire asked the question: "What is pure art according to the modern idea?" And in the next breath he answered his own question: "It is the creation of an evocative magic, containing at once the object and the subject, the world external to the artist and the artist himself." I relate to the "modern idea" defined by Baudelaire and while seeking to capture the aura of the eternal and how it lives in our present times I hope to touch the inscrutable mystery in life and draw it out for others to feel.
For me art is something that gives the soul a ground to stand on. Through art we can speak to each other through the centuries. Souls can touch. There is an eternal quality that traverses time and needs no explanation. For artists, indeed for everyone, reaching from soul to soul is essential and there are many means of expression to accomplish this. The beauty of art is that we all see the world differently and each angle of vision is unique and important.